was founded
by Wilma Lukatsch as a place of waying towards common ground and mutual knowledge in contemporary artworld geographies. As a practice it aims to counter colonial violence/s and its methods to narrate and memorize complex histories beyond the politics of colonial erasion and the obliteration of our always interconnectedness.
is creating
multilayered collaborations with artists & cultural practitioners, and developing each specific visions of a larger space-time-connectedness. As a practice-based methodology ROSINENWALDRAUSCHEN wishes to enable and to regain fresh view points in order to open up energy for imagining anticolonial futures.
works along
transcultural reading and translations of global art, histories, artists’ voices, archives, collections, cultural memories and interconnecting knowledges. It works along all kinds of aesthetical practices and through experiencing how our arts, bodies and health are connected to land & histories. Therefore ROSINENWALDRAUSCHEN works with imaginative techniques to re/connect ourselves to the complexities of how to understand and process our daily lives, and why it needs intrepid recipes for contemporary translations of cultural differences, aesthetics and the undermining violence at work.
is offering
feminist writing and editing, deep listening and research, contemporary viable perspectives and concepts for the arts in order to enable transitional thinking alongside the many (marginalized and often inconvenient) histories embedded in our todays.
A writer, editor and researcher based in Berlin, Wilma Lukatsch (Dr. phil.) has graduate degrees in Art History, History of Religions and Sociology from the Freie Universität Berlin and the Humboldt-Universität zu Berlin. She has since been working and collaborating with artists and within the field of curating archives and collections. At the heart of her art/history practice she is focusing on developing a dialogue-based writing and editing practice in close exchange and collaboration. She wrote her doctoral thesis on the inter-relational practices in the work of Maria Thereza Alves, and has asked for feminist and decolonial methodologies for understanding, addressing and reimagining artworks, archives and artists’ voices. She founded ROSINENWALDRAUSCHEN as a place for transcultural collaboration and translation.
A writer, editor and researcher based in Berlin, Wilma Lukatsch (Dr. phil.) has graduate degrees in Art History, History of Religions and Sociology from the Freie Universität Berlin and the Humboldt-Universität zu Berlin. She has since been working and collaborating with artists and within the field of curating archives and collections. At the heart of her art/history practice she is focusing on developing a dialogue-based writing and editing practice in close exchange and collaboration. She wrote her doctoral thesis on the inter-relational practices in the work of Maria Thereza Alves, and has asked for feminist and decolonial methodologies for understanding, addressing and reimagining artworks, archives and artists’ voices. She founded ROSINENWALDRAUSCHEN as a place for transcultural collaboration and translation.